Of all the artists working today, Taylor Swift is the most influential. She declared in 2019 that she will be re-recording her previous six albums in order to regain the rights to them, proving herself to be a renowned musician. The songs, titled “From the Vault,” feature duets by Swift with artists she has long admired, such as Phoebe Bridgers, Keith Urban, and Chris Stapleton.
Fearless, Red, Speak Now, and 1989 are the four albums that Taylor Swift has reissued to date. There are 26 From the Vault tracks total between them, including a 10-minute rendition of her heartbreak hymn All Too Well. These are the best 7 songs chosen from Taylor Swift’s recent albums.
When Emma Falls In Love from Speak Now (Taylor Swift’s Version)
Swift, who co-created the song with Aaron Dessner, says, “She won’t lose herself in love the way that I did,” with a hint of jealousy as the production alternates between stately piano balladry and swaying country-pop.Swift returns to the archives with her newest song composition, “When Emma Falls in Love,” which whirls with lyrical intricacy and a wealth of auditory texture.
Message in a Bottle from Red (Taylor Swift’s Version)
With “Red,” Taylor Swift and Max Martin teamed for the first time, producing successes like “We Are Never Ever Getting Back Together” and “I Knew You Were Trouble.” The sole credit Martin has is as a co-writer of the little but intense dance track Message in a Bottle, which eventually became a radio success.
Is It Over Now? from 1989 (Taylor Swift’s Version)
Is It Over Now? excels as a narrative exercise; the people and their circumstances are immediately likeable, and the conclusion seems well-earned. The relationship is in a grey area that she tries to turn into a fairytale romance.
Don’t You from Fearless (Taylor Swift’s Version)
The best form of that combination is Don’t You, an unreleased Fearless single that Swift and Jack Antonoff modernised. Don’t You is elevated more than ten years later by the sound design, which features electric guitars, keyboards, and drums that stack on top of each other, as well as Swift’s wistful, incredibly nuanced performance.
Say Don’t Go from 1989 (Taylor Swift’s Version)
The most pleasant composition is Don’t You, an unreleased Fearless tune made contemporary by Swift and Jack Antonoff. More than ten years later, Don’t You is elevated by the aural landscape—keyboards, electric guitars, and drums that stack upon one other—and Swift’s wistful, dazzlingly accomplished vocals.
I Can See You from Speak Now (Taylor Swift’s Version)
The greatest songs from the Vault speak with their respective host albums and Swift’s most recent innovations, especially as a producer. The most exciting song riffs random encounters and flirtations by boosting the sexual energy and offering a cutting-edge, biting instrumental foundation.
All Too Well (10 Minute Version) from Red (Taylor Swift’s Version)
Definitely worth reading through the lyrics, this super-sized rendition of one of Swift’s most well-known breakup songs was already a hit on the Red track chart. But in addition to its Easter egg content, the 10-minute All Too Well is worth seeing for the narrative it conveys.
